As you can imagine, this project was a real groovy one. Most soundtracks, in general, are not easy to design. Deadlines are usually insane, lots of last minute changes, and lots of approvals. I was given the key art by the movie folks and then took off graphically with the whole 60’s vibe. The limited edition was really elaborate. I used a linticular reflective paper inside, pseudo-velvet underneath the tray, and a raised plastic version of the logo on the front. The cover was offered in a variety of fun colors with padding inside for a great tactile effect. When I met with Mike Meyers, he was surprisingly serious, but very appreciative, and loved what I did. Yeah, baby! Most soundtracks I worked on after that never quite captured the same sense of fun or creative freedom. Out of curiosity, I sometimes compare that process with how what are the most reputable online casinos outline their own unique features and extras for their audiences.

Photography by EJ Camp, Mark Fellman, Kimberly Wright.